Sing The Absurd – The Wonderstuff – (1993, Polydor Records, Taken from ‘Construction for the Modern Idiot’)
Points 134
Highest Position Third Twice
Reading Festival 1992 was famous for several things. Firstly the rain, which was so torrential that it made the Melody Maker Stage sink. Secondly, for being the last UK performance of Nirvana, who played on the Sunday, despite a million rumours circulating around the site, right up to them walking on stage. Rumours like Kurt had been taken ill, in a Slough restaurant and at the very last minute the only band willing to step in were Right Said Fred. Thirdly, the bizarre scheduling that placed The Farm on after the Smashing Pumpkins and before the Manic Street Preachers. All of which made it a fun festival. For me, though, the most memorable bit was the photo before The Wonderstuff came on stage on the Friday night. Well actually, the memorable bit occurred about four months later on a tube on the way to Brixton Academy.
Circlesquare – The Wonderstuff (1990, Polydor Records)
We had been camping in an area and apart from Nirvana, the appearance of the Wonderstuff was one of the most anticipated shows of the weekend. A lot of people in the camping area near us all bonded over The Wonderstuff. About half an hour before the show (in the lull between the end of The Charlatans and the beginning of the Wonderstuff) we grabbed a random lad to take a massive photo of us all.
It was Adrian’s camera and there were about thirty people in that photo, all of us grinning out at the lad taking the photo. He took the gig seriously, moving people around, standing back, getting us all to shout ‘Bollocks’ before he clicked the photo. Adrian then promised to send copies of the photos to everyone, addresses were exchanged. Which is what he did. Sadly, the random guy, had taken a photo of everyone and the picture was all shaky, faces were blurred and it was out of focus. Random man became known as ‘Mr Wobbly Head’ because that is what his photos looked like.
Fast forward four months later, The Wonderstuff have announced a small UK tour called ‘Sleigh the UK’ (because its Christmas you see) and some of us in that gang had all agreed to meet up in London to see the band at the Brixton Academy gig. We arrange to met at a pub near the venue and have a nostalgic get together.
It was on the tube between Victoria and Brixton when Jay saw him, he whispered it to Naomi, who whispered it to Kate who told me, I told Adrian, he told his brother who shouted “Mr Wobbly Head”. For it was he. Within minutes, we were all shouting Mr Wobbly Head, a lad who tried to do us a favour and we universally hated because he ruined a photograph that we’d asked him to take.
He looked a bit sheepish to be honest and a man next to him, just looked at him and said “Wow, mate, what’s it like to be known as Mr Wobbly Head”.
We never found out the answer.
For five or six years at the end of eighties and the start of nineties, The Wonderstuff were one of the greatest bands that there was, on record, live, everything. In Miles Hunt, they had one of the biggest personalities in rock music and they could do very little wrong. In that period they released four wonderful albums. The best of these, is in my opinion the second one, ‘Hup’, a record that a 14 year old me bought on vinyl from a record shop in the Pentagon Centre in Chatham, with a ten a pound note given to me my by grandfather. A record that pretty much sowed the seeds for my love of guitars and persuaded me that long hair, army jackets and DM boots were my thing.
Cartoon Boyfriend – The Wonderstuff (1989, Polydor Records)
Don’t Let Me Down (Gently) – The Wonderstuff (1989, Polydor Records)
Saying that the debut ‘The Eight Legged Groove Machine’ runs it pretty close.
A Wish Away – The Wonderstuff (1988, Polydor Records)
Unbearable – The Wonderstuff (1988, Polydor Records)
In 1991, the band reached the pinnacle of their popularity with the album ‘Never Loved Elvis’, which saw the have top ten hits and sell out stadiums. It was a slight departure from their other records, with more emphasis on violins and an indie folk sound. The bands original bass player, Rob Jones left the band after the release of ‘Hup’ and the change of sound perhaps reflected that. Jones moved to New York, married the last girlfriend of Sid Vicious and the sadly died of a heart attack in 1993 just before the release of the bands fourth album, Construction for the Modern Idiot’.
‘Never Loved Elvis’ is probably their worst album, but still a marvellous indie pop album.
Size of A Cow – The Wonderstuff (1991, Polydor Records)
Welcome to the Cheap Seats – The Wonderstuff (1991, Polydor Records) – which remains the only single where I have appeared on the cover. So far, at least.
In 1994, the band split up suddenly. There was no reason announced, but the massive touring of their fourth album ‘Construction for the Modern Idiot’ was largely blamed. That album saw the band more back to a more beefed up sound similar to the debut record and remains a very good record.
On The Ropes – The Wonderstuff (1993, Polydor Records)
Room 410 – The Wonderstuff (1993, Polydor Records)
Here is Mondays lyrical clue which brings about the start of the Top Five,
“Well, you’re a waste of space, No natural grace”